Book of Donmon Teith

"In all film there is the desire to capture the motion of life, to refuse immobility," Agnes Varda has noted. But to capture the reality of human experience, ci

"In all film there is the desire to capture the motion of life, to refuse immobility," Agnes Varda has noted. But to capture the reality of human experience, ci

'He wanted to move in and out of the various signature styles of all these genres_Western, melodrama, thriller, horror, ' said cinematographer Robert Richardson

Slow Places in Béla Tarr’s Films explores Hungarian filmmaker Béla Tarr’s approach to creating geographies of indifference through slow cinema techniques.

Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cine