Book of Donmon Teith

Mozart's enduring popularity, among music lovers as a composer and among music historians as a subject for continued study, lies at the heart of The Cambridge M

Presenting a fresh interpretation of Mozart's Requiem, Simon P. Keefe redresses a longstanding scholarly imbalance whereby narrow consideration of the text of t

Recent decades have seen a major increase of interest in historical performance practice, but until now there has been no comprehensive reference tool available