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The Philosophy of Film Noir
Language: en
Pages: 268
Authors: Mark T. Conard
Categories: Performing Arts
Type: BOOK - Published: 2007-08-17 - Publisher: University Press of Kentucky

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From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of pa
The Philosophy of Neo-Noir
Language: en
Pages: 222
Authors: Mark T. Conard
Categories: Performing Arts
Type: BOOK - Published: 2007-01-05 - Publisher: University Press of Kentucky

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Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and lig
The Philosophy of TV Noir
Language: en
Pages: 366
Authors: Steven Sanders
Categories: Performing Arts
Type: BOOK - Published: 2021-03-17 - Publisher: University Press of Kentucky

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Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many émigré filmmakers in 1940s and 1950s America, emphasizing crime, a
The Philosophy of Film Noir
Language: en
Pages: 0
Authors: Mark T. Conard
Categories: Performing Arts
Type: BOOK - Published: 2007-08-17 - Publisher: University Press of Kentucky

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A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck
Philosophy, Black Film, Film Noir
Language: en
Pages: 368
Authors:
Categories: African American motion picture producers and directors
Type: BOOK - Published: 2008 - Publisher: Penn State Press

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"Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy,